James Krake: Iron Age Marketing Podcast Episode 028
Let’s Meet Iron Age Creator James Krake
The Indie Creator’s Struggle & Entertainment’s Cost of Entry
James unveils how a global catastrophe reminded him he wanted to be more than just an engineer. He wanted to be an author and began doing what engineers do: researching. Today he finds himself the creator of both an online fantasy series and a running science fiction series.
Nicky P and James touch upon the accessibility of indie publishing, noting its low cost of entry as well as discussing the affordability of e-books for consumers, allowing them to access hours of entertainment at a reasonable price. James advocates for reasonable pricing and emphasizes the importance of investing time to hone one’s craft before expecting success, especially when acknowledging the challenges of the developing indie system, which lacks the layers of support that traditional publishing has historically provided.
Ending the first segment of the interview, James reflects on the biggest hurdle he faces in self-publishing—the danger of toxic positivity. He warns against surrounding oneself with individuals who provide unwarranted praise without constructive criticism. James shares his personal experience of launching his first book and acknowledges that seeking critical feedback could have led to a stronger initial launch.
The Complexity of Value & Pricing in Indie Publishing & Cyberpunk Reimagined
The dialogue shifts briefly towards audiobooks, with their gaining prominence, but Nicky P expresses surprise at the minimal earnings authors receive for their efforts in producing audiobooks. James Krake provides insights into the suitability of audiobooks for different genres, emphasizing that certain genres benefit more from the audio format.
James Krake ends the segment with his perspective on the cyberpunk genre, and his feelings that it has been trapped in the 1980s and struggles to resonate with contemporary audiences. He critiques the themes and concerns of traditional cyberpunk, highlighting its outdated portrayal of technology and the disconnect with the current era of the internet and advanced technologies like Neuralink. James Krake’s cyberpunk series aims to break free from the aesthetics and constraints of the past, offering a more relevant and nuanced exploration of the intersection between humanity and technology.
A Tech Noir Protagonist & Balancing Politics & Entertainment in Fiction
With this type of setting and character it’s hard not to touch on political themes within the series. James emphasizes that the narrative prioritizes entertainment. While addressing social-political aspects, the series aims to maintain an engaging and entertaining storytelling experience without leaning into controversial third-rail issues that pull readers out of the narrative.
The discussion concludes with a poignant exploration of the elephant in any room when discussing publishing. The challenge of reaching an audience in a reading-scarce environment. James Krake expresses frustration with the declining interest in reading and the prevalence of alternative forms of entertainment. The speakers both acknowledge the uphill battle of promoting books in a world where reading competes with platforms like TikTok and Netflix.
The Compulsion to Write & Exploring Mediums: From Prose to Board Games
Nicky P, never shy about taking the conversation for a fascinating turn, asks Krake about translating stories into different mediums. James expresses that for him, some stories find their home in prose novels, while others are destined for graphic novels and even board games. The challenges of funding and “audience reach” become a determining factor at this point in his career, however. Krake lets us into some of his challenges in relation to producing graphic novels in particular. The need for substantial funds to bring a vision to life is at the top of the list. The discussion touches upon the delicate balance of pricing, audience size, and the competitive nature of the market, revealing the uphill battle writers face when venturing into graphic storytelling.
Community Engagement & Science Fiction Vs Fantasy
The hosts delved into the intricacies of James Craig’s storytelling approach. They discussed his epic fantasy series, “The Undying Emperor,” and its unconventional narrative structure, the progression fantasy. James claims the style is akin to leveling up in Dungeons and Dragons. James elaborated on how he divided the story into standalone books, each representing a different region and adventure in the protagonist’s journey.
The web novel, available on rural road, offers a raw, unedited glimpse into his creative process. While he acknowledged potential quality issues, he highlighted the steady stream of content reaching an audience of around 1,400 readers per chapter. He likened this content stream to handling something similar to an email list. In contrast, the books available on platforms like Amazon undergo rigorous editing and polishing to meet higher standards.
James Krake Resources & Extra Media
Shilling In The Iron Age
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